A different kind of minimalism, Sara Barker's work is dense with allusion and allegory based on framing absence. The frame, by definition a marginal element, carries all the responsibility of the witness, and in Barker's work the frame is usually incomplete. Slices of painting, normally the surface that carries meaning, are partial stories so removed from a full narrative to be just single words or lines, without context. Yet they are bound together in a construction that captures the meaningless space of the gallery, or the studio: one feels that in their installation, wherever it might be, what is being framed isn't the story at all, that the frames hold the key to a story one must participate in without knowing what it is. This is magic and mysterious.
Here is a 2013 video from the Baltic in which she discusses the spatial nature of the construction processes, and shows some very large and complex works: