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May 23: Leigh Sherkin. Urban Ruralism: the culture of food production in urban areas.   On Site review 27: rural urbanism, spring 2012

Leigh Sherkin. Farm:Shop aquaponic systemUrban Ruralism: the culture of food production in urban areas.  Urban areas are expanding while labour migrates out of the countryside.  Farms are becoming suburbs and a handful of companies control the supply chain.  If we produce food in the city, can our relationship with food change?

 

Leigh Sherkin is the director of  the urban planning company, specialising in community planning and regeneration.  theurbanplanningcompany.com

 

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Entries in housing (7)

Wednesday
Jan252012

scots wae hae

Kemnay, Aberdeenshire. postcard, circa 1980, but unchanged for a century

The main street of Kemnay: the flinty buildings and people of northeast Scotland found in A Scot's Quair by Lewis Grassic Gibbon.  

My grandmother's grandfather, Robert Reid, was a shoemaker there. In the tradition of atheist, radical, autodidactic Scottish shoemakers, he read and wrote Greek, taught Classics to his bright little grand-daughter Nellie, skipping over his own romantic daughter and her Tennyson.

The lapidary 99%, then as now, was much more complex than a number.  Much is made of the lack of social mobility in Victorian Britain: emigration was the only way to really get ahead, but how many people in our relatively wealthy and privileged society would teach themselves to read and write Greek today, or any difficult language, sitting in some small isolated town with no university courses within miles, no online lessons, just the texts?

The shock of leaving Kemnay for Albert Park, a flimsy town that served surrounding farms east of Calgary, was total.  No one ever really recovered from it.  Kemnay and picnics on the grounds at Ballater, the 'Earl of Mar's children who only get half an egg for breakfast so be thankful you have a whole egg to yourself', the rosewood piano, tea with the Bruces – such things became golden, truly a lost Elysium, compared to 'getting ahead' in Albert Park, which along with the rest of the prairies was experiencing both a wheat boom and a real estate bubble: everyone was building houses, everyone lost their shirts.  

The excavation in the photograph below was about getting rid of a hill in Albert Park to make way for houses.  Some things never change in Calgary. 

Albert Park, 1912. Glenbow Archives NA 2087 1

Wednesday
Sep212011

the north

Terminology, very confusing.  As a child I learned that the difficulty in laying down the trans-continental Canadian Pacific Railway in the 1880s was crossing muskeg, which swallowed tracks and even whole trains.  This is what happened in the north, which I assumed was in Northern Canada, somewhere in the Northwest Territories, and as with things you learn in grade 8, I never examined it again until this past week in Sudbury.  

It is not that muskeg isn't a treacherous thing, great wetlands that form where there isn't drainage: bogs, full of decaying plant material, trapped moose and train tracks which eventually form peat and I suppose, ultimately coal.  No, the other treacherous thing is the word north.

The northern imagination written about by Northrop Fry, Margaret Atwood, embodied in the Group of Seven and Georgian Bay is not the north I thought it was, The North, north of the provinces.  It is actually western Ontario.   
This came as something of a surprise, given that Sudbury sits at 46°N and has a growing zone of 4b.  Calgary, which no one would consider north at all, sits almost 600km north at 51°N in zone 2b.

In another instance, the Ring of Fire is generally known as the zone of earthquake and volcanic activity that rings the Pacific Ocean, where the Pacific tectonic plate grinds against the North American plate, the Eurasian, Australian and Nazca plates.  In the west we hear a lot about it, especially in Vancouver where all buildings have been essentially rebuilt to earthquake standards.

But in Ontario, Ring of Fire is a mine in the James Bay region where chromium was recently discovered and for which a smelter is planned, much to the purported benefit of First Nations in the area.  It is seen as a revitalisation of Ontario's mining interest and will be introducing Chinese development interests to Sudbury.   I only know this because I watched Steve Paikin's Agenda last night on TVO where there was a debate on whether industrial development or species protection was more important in the north.  Their north.  The wishy-washy conclusion was that we should have both, which means that mining and forestry will proceed with glee and with a few ameliorative concessions to fish, birds and migrating herds. Who do not vote.

It is a different country, Ontario.

Preparing the ground for flatland housing development. Lonely yellow hydrant awaits.  
Anyway, this train of thought was triggered by a new subdivision (above) on a ridge that looks down on Sudbury.  Downtown Sudbury has a problem with drainage, sitting as it does on the bedrock of the Canadian Shield.  Water sits in lakes or in muskeggy wetlands, (they'd be called sloughs on the prairie, bogs on the coast).  In older districts, streets and the little houses lining them in the bottom of the basin in which downtown Sudbury sits, regularly flood, the streets become culverts and swales, the water hasn't got a lot of options.  Thus, new development perched on ridges above the city has a certain appeal.  

Putting in services for new development requires, by convention, that they be underground.  But there is no underground here, it is solid rock, so ground is created in a cut and fill way.  The rock is blasted into rubble and shifted around to make flat sites for houses with the sewer and water safely installed beneath.  
There are a lot of similarities between Sudbury and Yellowknife, where new development does exactly this, rock blasted into coarse gravel for developer houses on cul-de-sacs one could find anywhere in Canada.  Aleta Fowler wrote about this in On Site 14: does one go to the north to live as if one was in a southern Canadian suburb?

Kenneth Hayes has introduced the term geo-cosmopolitanism to the discussion of urban development which, in its rough outlines means being aware of and taking into account the deep geo-logic of place.  The naming is important, we can put geo-cosmopolitanism in all its complexity onto a different way of looking at cities, more deeply rooted in their history, their industries, their place in the world. 

Wednesday
Apr062011

Cloud's Hill, Dorset

Cloud's Hill, T E Lawrence's cottage, photographed after his death in 1935

Thinking about T E Lawrence, buried in Moreton, Dorset, about the great European carve-up of the Middle East that he and Gertrude Bell were part of in the 1920s, and his cottage, near Bovington Camp, that he renovated while serving out his last few years in the RAF in the early-1930s.  He had finally got it right, installing a porthole from HMS Tiger in what he called a slip of a roomlet, not having a bedroom, when he was killed, in 1935, in a hit and run motorcycle accident.

Interiors did a photo-essay of Cloud's Hill years ago – it is a National Trust Property and open to visitors.  I remember that the cottage did not have a kitchen, just a wood counter with three beautiful glass cheese bells in a row.  In 1933 he wrote to a friend,  'I have lavished money these last . . . months upon the cottage, adding a water-supply, a bath, a boiler, bookshelves, a bathing pool (a tiny one, but splashable into): all the luxuries of the earth. Also I have thrown out of it the bed, the cooking range: and ignored the lack of drains. Give me the luxuries and I will do without the essentials.'

This seems about right I think.

It was quite small, this cottage: two rooms up and two down, upstairs was opened into one room, the book room, lined with bookshelves.  The downstairs was the music room. He was delighted by its austerity and self -sufficiency: '...books and gramophone records and tools for ever and ever. No food, no bed, no kitchen, no drains, no light or power. Just a two-roomed cottage and five acres of rhododendron scrub. Perfection, I fancy, of its sort.'

Perfection, but also a kind of punishment, but perhaps he had lived too much and needed something elemental out of life and house.  It is curious, one's house should not be one's life, yet it inevitably is.

Monday
Aug302010

colliery landscapes

L S Lowry. Hillside in Wales, 1962. Oil on canvas, 762 x 1016 mm. Tate Collection T00591The 1824 drawing of Bath reminded me very much of the 1962 L S Lowry painting of a coal mining village,  believed to be near Abertillery in South Wales.  It is another town carved out of the rural landscape: tight, dense and relentless.  Do we mistake this density for a kind of urbanity or should it be more realistically considered expeditious worker's housing, one step up from the hostels of Fort MacMurray, or South Africa.
Lowry didn't include the rest of the colliery landscape, seen in this photograph below, with the pit head at the end of the terrace.
It is this historic spatiality that allows England to fit 51 million people into an area a bit larger than Vancouver Island and still have huge agricultural landscapes, estates and forests. 

South Wales mining valley, early 20th century.

Friday
Aug272010

Mount Royal

Mount Royal, Calgary. 1911. Glenbow Archives NB-41-22Mount Royal in 1911.  Nary a tree to be seen.  Now a forest. 

Thursday
Aug262010

Bath

Panorama of Bath from Beechen Cliff, 1824, Harvey Wood

In all the lectures I have attended in my life on Bath and Georgian architecture, I have never seen this image.  Bath as we value it developed throughout the 18th century; by time this drawing was made, some of the terraces would have been over a hundred years old, yet how raw it appears.  Nature was clearly to be held at bay, providing a prospect from which one might consider the elegant city.

I once stayed in a bedsitter in Queen's Square (1730, John Wood the Elder, Grade 1 listed buildings); elegant it was not.  Unheated, cold water tap, toilet on the landing, no bath access, dingy and absolutely freezing.  There was an architectural value in the Georgian city, but little social value.  There was still, in the early 1970s, unmended bomb damage from WWII and many of the terraces had been divided into hives of dark low-income bedsits.  This was also just the tail end of the council tower block which looked pretty good in comparison: modern, heated, full of space and light — again, an optimistic but discrepant architectural solution that soon foundered on social realities. 

It is still surprising how quickly Britain shed its social housing programs once the 1980s came and everyone, no matter how impoverished, was encouraged to cut free from the state and to become a property owner.  It took almost thirty years for this political, economic and social project to crash in the sub-prime bubble.  It would be difficult to find anything to rent in Bath today, certainly bedsitters are not considered legitimate housing any more unless as emergency housing for homeless families, and they certainly wouldn't be found in the classic terraces, squares or crescents of Bath.

Thursday
Mar182010

Elemental in Santa Catarina

Alejandro Aravena. Elemental. Housing cores: a half-house on the ground floor and a two storey apartment above. The empty slot between the white cores are meantto be built into, shown here in a yellow example. Elemental, the Chilean architectural practice of Alejandro Aravena, has just won an award for a 70-unit housing project in Santa Catarina near Monterrey, Mexico.  Using government funding the expensive part of each house is built first: bathrooms, kitchen, stairs, party walls and roof.  This is the first half.  The second half is eventually built into the space between these cores.  Visual cohesion comes from a continuous roof over each set of units, and the placement and rhythm of the first halves.  There are 70 units on .6 ha; the area is middle class, not a slum, and half the project will be self-built.
 
Similar Elemental projects have been built in Chile, with less money and for poorer people.  It is a case of putting whatever funds are available where they are most useful, and leaving the rest to individuals who have some building skills and often innovative ways of occupying space, but not the wherewithal to build  a safe structure, a kitchen and bathroom, and then connect them to the utilities infrastructure.  Elemental SA is in a partnership with COPEC, a Chilean Oil Company to design projects with social impact through 'the development of complex initiatives'.  To get projects such as these in place requires more than a brilliant idea, it requires partners at all levels of urban development.  The city is their workshop.  

Formally built social housing all over the world is a landscape of regimentation; informal barrios and slums all over the world are landscapes of desperate invention.  Elemental's model allows the best from both: safe building standards and people's participation in their own dwellings.