on site review

On Site review: other ways to talk about architecture and urbanismContains things you will never find anywhere else.

search

on site review group

back issues

34: on writing

33: on land

32: weak systems

31: mapping | photography

30: ethics and publics

29: geology

28: sound online

28:sound links site

 

27: rural urbanism

27:rural urbanism online

 

on site 26: DIRT onlineonsite 25: identity online

onsite 24: migration onlineonsite 23: small things online

read onsite 22: WAR online

On Site 22: WAR has sold out in the print version, but you can read it online

read onsite 21: weather online

read onsite 20: museums and archives onlineonsite 20 individually archived articles

onsite 20:museums and archives has sold out in the print version, but you can read it online

read onsite 19: streets onlineOn Site 19 has sold out in the print version, but you can read it online.

onsite 19 individually archived articles

read onsite 18: culture onlineonsite 18 individually archived articles

onsite17 individually archived articles

« the freestep | Main | Christine Hiebert: charcoal, 2009 »
Tuesday
Aug042015

motels

Vincent Lamouroux. Projection: time and site-specific intervention on the Bates Motel, Los Angeles, 2015

No doubt everyone has seen this, the whitewashing of the old Sunset Pacific Motel slated for demolition on Sunset Boulevard in Los Angeles.  Vincent Lamouroux is the artist, there are several videos out there about the process (big machines spraying the trees, the ground and the building itself); it was open as an installation from 26 April to 10 May, 2015 and then left to the weather, again.  

Much has been made of the informal reference to the motel as the Bates Motel and Hitchcock's Psycho, despite the motel in the film being one of those old auto courts beside a lonely stretch of highway, and not in a city at all.  But whatever, a motel is a motel, evidently.  Does any derelict and empty building become sinister because it no longer functions in society?  And are motels particularly susceptible to this? Motels in film always offer anonymity for antisocial plot and action, it is a building type that exists outside the narrative of law and order, family homes and settled, normative lives. 

The Lorraine Motel, Memphis, TennesseeMartin Luther King was shot at the Lorraine Motel, now part of a Civil Rights museum in Memphis.  As it stands, un-whitewashed, it seems conventional, disengaged from its history.  If it had been painted white, or black, or any detail-obliterating colour, would that have transformed it, empowered it, or rendered it exceptional?  This touches on a discussion in On Site review 33:land about the limits of architectural expression; how much of architecture is form, how much is typology, how much is programmatic history. 

The Sunset Pacific no-longer Motel has become a 1:1 white gessoed model piece in the greater model that is the actual city: its form is both heightened and made meaningless, its typology is lost along with its function, but its history is alive in both its nickname and in its original, hopeful, end-of-Route 66 name: Sunset Pacific.  This is old California, the palm trees, the deco assemblage of building parts, and it is middle California of Sunset Strip, sleaze and screens that got small – all clichés that made a derelict building very attractive for the transformative processes of art.   Now it is a French art installation in an arid city in an urban desert in a four-year drought.  

PrintView Printer Friendly Version

EmailEmail Article to Friend

Reader Comments

There are no comments for this journal entry. To create a new comment, use the form below.

PostPost a New Comment

Enter your information below to add a new comment.

My response is on my own website »
Author Email (optional):
Author URL (optional):
Post:
 
Some HTML allowed: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <strike> <strong>