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Wasteland Twinning Network hijacks the concept of ‘City Twinning’ and applies it to urban Wastelands in order to generate a network for parallel research and action.

CLOG explores, from multiple viewpoints and through a variety of means, a single subject particularly relevant to architecture now.

criticat: revue semestrielle de critique d’architecture

French publishing house: great catalogues that look east and south, not just west.

[brkt] 2 Goes Soft, edited by Neeraj Bhatia and Lola Sheppard. 'Soft refers to responsive, indeterminate, flexible and immaterial systems that operate through feedback, organization and resilience. These complex systems transform through time to acknowledge shifting and indeterminate situations — characteristics that are evident both in the dynamics of contemporary society and the natural environment'.

Darwin Grenwich sails the oceans of the world on Blue Monday, a CS36 traditional sloop, while maintaining his IT support business by email and on VOIP (403-283-1340). He is especially good on Macs.

 

who we are

Shane Neill.  'ASARCO: Anthropocene Anxieties and the Aesthetics of Remediation' in On Site review 29: geology, Spring 2013.ASARCO lead smelter site, Ciudad Juárez, Chihuahua, MexicoShane Neill is a designer and cellist. His current endeavours examine antagonisms on the USA-Mexico border, seeking to undermine the border as a power apparatus and recasting it as a space of appearance. 

from his article : 'Anthropocene anxieties are increasingly present in our collective imagination. Images such as those by Ed Burtynsky or Sebastiao Selgado feed these anxieties, placing first-world pursuits in opposition to natural orders.  Additionally, shifts from industrial to ephemeral production are coupled with the rapid growth of cities into previously exurban industrial lands. The moral impetus to restore our relationship to the landscape is given economic force by our consumption of land. '

read the whole piece here:  ASARCO: Anthropocene anxieties

current issue

on site 29: geology

 

On Site: other ways to talk about architecture.

Almost guaranteed to contain things you will never find anywhere else.

 

To subscribe to the digital edition of On Site that operates across many devices, click on zinio above and it will take you to our place on Magazines Canada's digital newsstand.

back issues

28: sound

27: rural urbanism

on site 26: DIRTonsite 25: identity

onsite 24: migration onlineonsite 23: small things online

read onsite 22: WAR online

On Site 22: WAR has sold out in the print version, but you can read it online

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read onsite 20: museums and archives onlineonsite 20 individually archived articles

onsite 20:museums and archives has sold out in the print version, but you can read it online

read onsite 19: streets onlineOn Site 19 has sold out in the print version, but you can read it online.

onsite 19 individually archived articles

read onsite 18: culture onlineonsite 18 individually archived articles

onsite17 individually archived articles

acknowledgements

The Canada Council for the Arts Grants to Literary and Arts Magazines

Saskatchewan Association of Architects

Calgary Arts Development Authority, City of Calgary, Alberta

On Site is a Magazines Canada member

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Thursday
Aug302012

paralympic beauty

Supposedly the big bang, but so often whatever was going on looked like drawings, in this case a smudged Boullée. London 2012 Paralympic Games Opening. AP PhotographThe opening for the 2012 Paralympics, staged by Jenny Sealy, the artistic director of Graeae, was astounding.  Unlike the paean to seemingly eternal but tired British pop culture that dominated the regular Olympics' opening and closing, the Paralympic opening was narrated, alternatively, by Stephen Hawking and Ian McKellan as Prospero: books flew, people flew, apples fell: one realised that paralympians live in the world of science and technology in a way that non-paralympians do not.  Meanwhile, atoms collided, dark matter surged, Handel was sung, and it was beautiful.  

Not least, perhaps most, beautiful was David Toole, who dances like water down a river to his very fingertips.

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