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Wasteland Twinning Network hijacks the concept of ‘City Twinning’ and applies it to urban Wastelands in order to generate a network for parallel research and action.

CLOG explores, from multiple viewpoints and through a variety of means, a single subject particularly relevant to architecture now.

criticat: revue semestrielle de critique d’architecture

French publishing house: great catalogues that look east and south, not just west.

[brkt] 2 Goes Soft, edited by Neeraj Bhatia and Lola Sheppard. 'Soft refers to responsive, indeterminate, flexible and immaterial systems that operate through feedback, organization and resilience. These complex systems transform through time to acknowledge shifting and indeterminate situations — characteristics that are evident both in the dynamics of contemporary society and the natural environment'.

Darwin Grenwich sails the oceans of the world on Blue Monday, a CS36 traditional sloop, while maintaining his IT support business by email and on VOIP (403-283-1340). He is especially good on Macs.

 

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Shane Neill.  'ASARCO: Anthropocene Anxieties and the Aesthetics of Remediation' in On Site review 29: geology, Spring 2013.ASARCO lead smelter site, Ciudad Juárez, Chihuahua, MexicoShane Neill is a designer and cellist. His current endeavours examine antagonisms on the USA-Mexico border, seeking to undermine the border as a power apparatus and recasting it as a space of appearance. 

from his article : 'Anthropocene anxieties are increasingly present in our collective imagination. Images such as those by Ed Burtynsky or Sebastiao Selgado feed these anxieties, placing first-world pursuits in opposition to natural orders.  Additionally, shifts from industrial to ephemeral production are coupled with the rapid growth of cities into previously exurban industrial lands. The moral impetus to restore our relationship to the landscape is given economic force by our consumption of land. '

read the whole piece here:  ASARCO: Anthropocene anxieties

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on site 29: geology

 

On Site: other ways to talk about architecture.

Almost guaranteed to contain things you will never find anywhere else.

 

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back issues

28: sound

27: rural urbanism

on site 26: DIRTonsite 25: identity

onsite 24: migration onlineonsite 23: small things online

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On Site 22: WAR has sold out in the print version, but you can read it online

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read onsite 20: museums and archives onlineonsite 20 individually archived articles

onsite 20:museums and archives has sold out in the print version, but you can read it online

read onsite 19: streets onlineOn Site 19 has sold out in the print version, but you can read it online.

onsite 19 individually archived articles

read onsite 18: culture onlineonsite 18 individually archived articles

onsite17 individually archived articles

acknowledgements

The Canada Council for the Arts Grants to Literary and Arts Magazines

Saskatchewan Association of Architects

Calgary Arts Development Authority, City of Calgary, Alberta

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Tuesday
Aug212012

a change is gonna come

One of the proposals for On Site 28: sound is about recording studios and their particular qualities of surface and such.  Sam Cooke was mentioned.

We were in English in grade 9 and Judy Butler who sat behind me told me Sam Cooke had died.  This 1963 song, A Change is Gonna Come, sat, and still sits, at the heart of the Civil Rights movement.   

1963 was an important year: Martin Luther King wrote 'Letter from Birmingham Jail', the 16th Street Baptist Church was bombed in Birmingham and four little girls were killed, King's 'I Have a Dream' speech was made in Washington, Medgar Evers was murdered.  Not until the formation of the Black Panthers in 1967 did black power begin to overtake black faith that a change was going to come.

And, still thinking of things Olympic, it was at the 1968 Olympics in Mexico City that the 200m gold and bronze medalists, Tommie Smith and John Carlos, shared a pair of black gloves and made their stand for human rights.  Last night on the Radio Australia's Asia Pacific Report, there was a piece about the silver medalist, Australian Peter Norman, who also wore a human rights badge in solidarity and was subsequently reprimanded by the AOC and not sent to any further Olympic games. His 1968 200m record of 20.06 seconds still stands in Australia.  Evidently there is a debate in the Australian Parliament about apologising to him, although he died in 2006. 

Why do people wait until someone dies, before their time in this case - he was only 64, before admitting they treated them badly? 

Peter Norman, Tommie Smith and John Carlos on the podium as the US anthem was playing, at the 1968 Summer Olympics in Mexico City. They all wore the badge of the Olympic Committee for Human Rights, OCHR.

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