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French publishing house: great catalogues that look east and south, not just west.

Darwin Grenwich sails the oceans of the world on Blue Monday, a CS36 traditional sloop, while maintaining his IT support business by email and on VOIP (403-283-1340). He is especially good on Macs. This is not an ad, just something you might want to know about.

 

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May 23: Leigh Sherkin. Urban Ruralism: the culture of food production in urban areas.   On Site review 27: rural urbanism, spring 2012

Leigh Sherkin. Farm:Shop aquaponic systemUrban Ruralism: the culture of food production in urban areas.  Urban areas are expanding while labour migrates out of the countryside.  Farms are becoming suburbs and a handful of companies control the supply chain.  If we produce food in the city, can our relationship with food change?

 

Leigh Sherkin is the director of  the urban planning company, specialising in community planning and regeneration.  theurbanplanningcompany.com

 

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« scots wae hae | Main | starlings »
Monday
Jan232012

A man's a man, for all that

Not sure who is singing this, perhaps Graham Duncan who put the video together, but it is a gentle version.  compared to Paolo Nutini.  

As this is the week of all things Scottish, can't help think of Nana – Nellie Bruce, born in 1896 in Kemnay, Aberdeenshire and who was brought to Canada at 14 by her family, and for whom even the thought of eating haggis was a shocking insult, it being some sort of horrible boiled sausage thing eaten by peasants in bothies.  Of which, needless to say, she was not one.  

Her mother wept for six months with shock at leaving her little stone village for the wind-swept prairies and forever after quoted great reams of Tennyson and her favourite, Wordsworth's Lucy Gray, mournful and melancholic: 

Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.

No mate, no comrade Lucy knew;
She dwelt on a wide moor,
–The sweetest thing that ever grew
Beside a human door!

You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.

'To-night will be a stormy night-
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow.'

'That, Father! will I gladly do:
'Tis scarcely afternoon-
The minster-clock has just struck two,
And yonder is the moon!'

At this the Father raised his hook,
And snapped a faggot-band;
He plied his work; – and Lucy took
The lantern in her hand.

Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.

The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.

The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.

At day-break on a hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.

They wept – and, turning homeward, cried,
'In heaven we all shall meet';
– When in the snow the mother spied
The print of Lucy's feet.

Then downwards from the steep hill's edge
They tracked the footmarks small;
And through the broken hawthorn hedge,
And by the long stone-wall;

And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.

They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!

– Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.

O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.

This too is a Scottish immigration experience.  It isn't all kilts and bagpipes you know.

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