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February 7: Marianna de Cola. 'SHIFT. Newfoundland's South' in  On Site 24: migration  Fall, 2010


Marianna de Cola,  MArch (Waterloo) wrote her thesis,  80 Fathoms Deep, on Newfoundland's relationship with the sea, to its island status and its consequent cultural isolation, to its reliance on fishing and more recently oil. But it is also one of tides - of prosperity and loss, migration and resettlement, of occupation and erasure.  Her ongoing research focuses on infrastructure, particularly oceanic systems, and its intersection within the cultural and ecological environment.

This article, for On Site 24: migration, is part of her thesis.  Her work can be seen on ISSUU here.

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acknowledgements

The Canada Council for the Arts Grants to Literary and Arts Magazines

Erin Stump ProjectsTorkin Manes, Barristers & Solicitors, Toronto

Saskatchewan Association of Architects

The University of Edinburgh

Calgary Arts Development Authority, City of Calgary, Alberta

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Monday
Aug302010

colliery landscapes

L S Lowry. Hillside in Wales, 1962. Oil on canvas, 762 x 1016 mm. Tate Collection T00591The 1824 drawing of Bath reminded me very much of the 1962 L S Lowry painting of a coal mining village,  believed to be near Abertillery in South Wales.  It is another town carved out of the rural landscape: tight, dense and relentless.  Do we mistake this density for a kind of urbanity or should it be more realistically considered expeditious worker's housing, one step up from the hostels of Fort MacMurray, or South Africa.
Lowry didn't include the rest of the colliery landscape, seen in this photograph below, with the pit head at the end of the terrace.
It is this historic spatiality that allows England to fit 51 million people into an area a bit larger than Vancouver Island and still have huge agricultural landscapes, estates and forests. 

South Wales mining valley, early 20th century.

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